#BRITISH TOP MOVIE S FULL#

With its combative protagonists who are working-class, gay, Asian or a combination of the above, itвЂ™s hard to credit a more inclusive two-fingered salute to ThatcherвЂ™s rapacious, вЂ80s Britain than this feisty, funny disruptor.

Ben-Hur this ainвЂ™t - and more power to it. Jarman as standard bearer for British queer, avant-garde cinema ( Caravaggio, Edward II) begins here, with his punk-aesthetic mix of Latin dialogue, anachronistic design, explicit, eroticized martyrdom and shooting gorgeous young men the way most male directors fetishized their female stars. If you could photograph the nightmares of a homophobic hater of arthouse cinema, thereвЂ™s a fair chance it might look something like this: Derek JarmanвЂ™s go-for-broke debut (co-directed with Paul Humfress) of clashing Ancient Roman, Christian and pagan beliefs and desires. Director John Schlesinger makes overt the subtext of his previous film, the Oscar-winning Midnight Cowboy and this follow-upвЂ™s relative mainstream success and awards recognition only justified its bold demands to honestly address the fluid, complex realities of modern relationships. Sunday Bloody Sunday (1971) Sunday Bloody Sunday.ДЇorever known as the first British film to showcase a gay kiss, this love triangle drama - stars Peter Finch and Glenda Jackson knowingly share Murray HeadвЂ™s much younger male lover - still seemed ahead of its time for its mature, non-judgmental look at love, loss and loneliness. Compassionate and courageous, careful yet very clear in its condemnation of bigotry, Victim is often credited with helping decriminalize British laws on homosexuality, its heartfelt objection most definitely sustained. Though never publicly acknowledging his own sexuality, he did potentially risk his career in this groundbreaking thriller, playing a lawyer who, after a young manвЂ™s untimely death, finds himself embroiled - and implicated - in a plot to out prominent gay men. Victim (1961) Dirk Bogarde in Victim.Дirk Bogarde was a bona fide British matinee idol and, during his lifetime, a closeted gay man. In honour of this weekвЂ™s London Pride festival, here are some of the films that helped fight societyвЂ™s real perversions: prejudice, ignorance and intolerance.

WhatвЂ™s reassuring is that, even before grudging legal acceptance, British cinema had - carefully at first - pleaded the case for greater tolerance and, later, even proudly demanded it. Before then, as in the world over, being вЂњgayвЂќ was treated as, at best, a sickness, or, worse, a perversion deserving ostracism, even physical abuse. вЂњLove Actually is a festive favourite with many, but as for me, I choose Trainspotting.Homosexuality was decriminalized by British law in 1967 вЂ“ only in private between consenting adults aged 21 or over, and only then in England and Wales (Scotland and Northern Ireland finally came out in favour in the 1980s). вЂњBoth films helped define an exciting era in British culture, launching many talents onto the worldwide scene, including Trainspotting director Danny Boyle and actor Robert Carlyle, who can take special credit for appearing in both films.

#BRITISH TOP MOVIE S FULL#

вЂњPopular 70s and 80s cinema was arguably dominated by Hollywood, but British film is back with a bang in the 90s, with The Full Monty and Trainspotting. Anna Smith, President of the UK CriticsвЂ™ Circle, said: вЂњThese results are a fascinating reflection of British culture over the decades, beginning with epic war film Zulu in 1964, when real-life battles were still fresh in many audience members' minds.вЂќ

British top movie s